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This Norton Critical Edition of Richard III is based on the First Quarto (1597) edition of the play with interpolations from the First Folio (1623). The play is accompanied by a preface, explanatory annotations, A Note on the Text, a list of Textual Variants, and eighteen illustrations of seminal scenes from major dramatic productions and film versions of the play. "Contexts" provides readers with the sources and analogues that informed Shakespeare's composition of Richard III. These include excerpts from Robert Fabyan's New Chronicles of England and France, Thomas More's The History of King Richard III, Edward Hall's The Union of the Two Noble and Illustre Families of Lancaster and York, A Mirror for Magistrates, and The True Tragedy of Richard III. A selection from Colley Cibber's eighteenth-century adaptation records the compromised form in which Richard III held the stage for approximately two hundred years before twentieth-century editors brought it back into recognizable shape. A representative selection of commentary on stage and film reproductions of Richard III is also provided, ranging from reviews of nineteenth-century productions by William Hazlitt and George Bernard Shaw, a survey of stage performances by Scott Colley, and in-depth analyses of twentieth-century film adaptations by Saskia Kossak, Barbara Hodgdon, and Peter S. Donaldson. "Criticism" collects eight major pieces of scholarship, including early accounts of the play's major themes by William Richardson and Edward Dowden, modern critical assessments by Wilbur Sanders, Elihu Pearlman, Linda Charnes, Katherine Maus, and Ian Moulton, and an essay by Harry Berger Jr. especially commissioned for this volume. A Selected Bibliography is also included.

For centuries writers have used participatory experience as a lens through which to better see the world at large and as a means of exploring the self. Considering various types of participatory writing as different strains of one style-immersion writing-Robin Hemley offers new perspectives and practical advice for writers of this nonfiction genre. _x000D_ Immersion writing can be broken down into the broad categories of travel writing, immersion memoir, and immersion journalism. Using the work of such authors as Barbara Ehrenreich, Hunter S. Thompson, Ted Conover, A. J. Jacobs, The Year of the Locust free ebook Nellie Bly, Julio Cortazar, and James Agee, Hemley examines these three major types of immersion writing and further identifies the subcategories of the quest, the experiment, the investigation, the infiltration, and the reenactment. Included in the book are helpful exercises, models for immersion writing, and a chapter on one of the most fraught subjects for nonfiction writers-the ethics and legalities of writing about other people. _x000D_ A Field Guide for Immersion Writing recalibrates and redefines the way writers approach their relationship to their subjects.

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Author: William Shakespeare,Thomas Cartelli
Number of Pages: 448 pages
Published Date: 23 Jan 2012
Publisher: WW Norton & Co
Publication Country: New York, United States
Language: English
ISBN: 9780393929591
Download Link: Click Here
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Collins Easy Learning KS2: Fractions and Decimals Ages 7-9
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